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大提琴之夜—扬-艾瑞克·古斯塔夫松大提琴独奏音乐会
Cello Recital by Jan-Erik Gustafsson
大提琴：扬-艾瑞克·古斯塔夫松（芬兰）
钢琴：帕瓦里·云帕伊宁（芬兰）
曲目：贝多芬：D大调第五奏鸣曲，Op.102 No.2
西贝柳斯：《暴风雨》组曲，Op.109 No.3
格里格：A小调奏鸣曲，Op.36
Cello Recital by Jan-Erik Gustafsson
Cello: Jan Erik Gustafsson
Piano: Paavali Jumppanen
Program: Ludwig Van Beethoven: Sonata No.5 in D major, Op.102 No.2
Jean Sibelius:"The Tempest" Suite for cello and piano, Op.109 No.3
Edvard Grieg:Sonata in A minor, Op.36
3场组合套票：210元（100元*3张）含：
6月14日 大提琴之夜—扬-艾瑞克·古斯塔夫松大提琴独奏音乐会 100元*1
6月15日 小提琴之夜—黄俊文小提琴独奏音乐会 100元*1
6月16日 钢琴之夜—路易斯·史威泽贝尔钢琴独奏音乐会 100元*1
（PS：套票仅限音乐厅售票厅窗口购买！详询：027-51865777）
扬-艾瑞克·古斯塔夫松，大提琴 芬兰大提琴家扬-艾瑞克·古斯塔夫松是当今国际乐坛颇为出众的独奏家和室内乐演奏家，且邀约不断。自1996年以来，他一直担任芬兰西贝柳斯音乐节的艺术总监。 十五岁时，古斯塔夫松在哥本哈根EBU青年音乐家大赛中表现突出，并从此走向世界，与诸多著名交响乐团合作演出，其中包括：伦敦交响乐团、伯恩茅斯交响乐团、柏林广播交响乐团、布里斯班交响乐团、澳大利亚室内乐团、澳洲霍巴特交响乐团、荷兰广播交响乐团、丹麦国家广播交响乐团、瑞典广播交响乐团、斯德哥尔摩爱乐乐团、香港爱乐乐团、耶路撒冷交响乐团、华盛顿国家交响乐团、纽约室内乐团、维也纳室内乐团、卡梅拉塔伯尔尼室内乐团以及阿玛笃斯室内乐团。芬兰几乎所有的主要交响乐团都曾与他有过合作。 曾与古斯塔夫松同台演出的杰出大师包括：尤卡 - 佩卡·萨拉斯特、奥科·卡姆、莱夫·希尔格斯坦、雷尼德·格英，扬-保罗·托尔特利耶、安德鲁·利顿、尼姆·雅尔维、丹尼尔·哈丁等人。 1994年，他与纽约青年音乐会演奏家协会（YCA）签约，随后开始在欧美及远东各大音乐场馆举办独奏音乐会，包括：纽约的卡内基音乐厅和爱丽丝杜利厅、华盛顿的肯尼迪中心、东京的三得利音乐厅、维也纳的勃拉姆斯音乐厅以及伦敦的巴比肯音乐厅、伊丽莎白女王音乐厅和威格莫尔大厅等。在各大室内音乐节上，他曾与皮恩卡斯·祖克曼、拉尔夫·戈托尼、利夫-奥韦·安兹涅斯、帕瓦里·詹帕南、阿尔托·沙图坎嘎斯、莱昂尼达斯·卡瓦科斯、利阿纳·伊萨卡泽、伊夫利·吉特里斯等许多音乐家合作演出。 1997年，应大师罗斯特罗波维契的亲自邀请，古斯塔夫松赴俄罗斯圣彼得堡参加"大提琴盛会"，并与圣彼得堡爱乐乐团合作演出了普罗科菲耶夫的《交响协奏曲》。 扬-艾瑞克·古斯塔夫松为唱片厂牌"奥丁"（Ondin）完成过几张录音，在国际上备受好评。其中有两张唱片分别在1994年和2000年被芬兰国际唱片业协会提名为年度唱片，一张（ODE827-2）收录了他演奏的席曼诺夫斯基、柯达伊和施尼特凯等人的大提琴奏鸣曲，另一张（ODE951-2）则收录了他演奏的芬兰作曲家恩隆德的大提琴协奏曲。扬-艾瑞克·古斯塔夫松还与芬兰广播交响乐团合作，由大师萨卡里·欧拉莫担任指挥，录制了普罗科菲耶夫的《交响协奏曲》，受到了世界各地的赞扬和好评。他还曾在托特里耶指挥下与国家交响乐团合作演出，"其愤怒与恢宏实在是逼人眼目"。（引自《华盛顿邮报》的评论） 扬-艾瑞克·古斯塔夫松曾在欧、美及亚洲等地多次开办大师课。目前他在芬兰首都赫尔辛基的西贝柳斯学院任教。 他早先在西赫尔辛基音乐学院跟随马尔库·米科拉须学琴。后赴斯德哥尔摩的埃德伯格音乐学院深造，师从米克黑尔·霍米泽尔和弗朗兹·海尔梅森，并于1992年获得了独奏家文凭。 他的演奏用琴是1890年史蒂凡诺·斯加林派拉大提琴。 Jan-Erik Gustafsson, Cello Finnish cellist Jan-Erik Gustafsson is currently one of the most outstanding and sought after soloist and chamber musicians in the international music world today. Since 1996, Jan-Erik Gustafsson has been the artistic director of the Loviisa Sibelius Festival in Finland. At the age of fifteen, Gustafsson placed well in the EBU Young Musician competition in Copenhagen, and since then he has performed world-wide. He has appeared with distinguished orchestras such as the London Symphony Orchestra; the Bournemouth Symphony;, the Berlin Radio Symphony Orchestra; the Brisbane Symphony; the Australian Chamber Orchestra and the Hobart Symphony in Australia, the Netherlands Radio Symphony Orchstra; the Danish National Radio Symphony Orchestra; the Swedish Radio Symphony and the Stockholm Philharmonick the Hong Kong Philharmonicl the Jerusalem Symphony; the Washington National Symphony Orchestra; the New York and Vienna Chamber Orchestras; the Camerata Bern; and the Amadeus Chamber Orchestra. He has appeared with nearly all the major Finnish orchestras. Jan-Erik Gustafsson has collaborated with some of the most outstanding maestros, including Jukka-Pekka Saraste, Okko Kamu, Leif Segerstam, Leonid Grin, Yan-Pascal Tortelier, Andrew Litton, Neeme Järvi, Daniel Harding, and many others. In 1994, Jan-Erik Gustafsson signed a contract with Young Concert Artists, Inc. in New York. Subsequently, has regularly given solo recitals on tour in the USA, Europe and the Far East at venues such as Carnegie Hall and Alice Tully Hall in New York; the Kennedy Center in Washington; Suntory Hall in Tokyo; the Brahms Hall in Vienna; Barbican Hall , Queen Elizabeth Hall and Wigmore Hall in London; and many more. At chamber music festivals, he has collaborated with Pinchas Zukerman, Ralf Gothóni, Leif-Ove Andsnes, Paavali Jumppanen, Arto Satukangas, Leonidas Kavakos, Liana Isakadze, Ivry Gitlis, and countless others. In 1997 Jan-Erik Gustafsson received a personal invitation from maestro Mstislav Rostropovich to perform the Prokofiev Sinfonia Concertante at the Cello Congress with the St. Petersburgh Philharmonic Orchestra in St. Petersburgh, Russia. Jan-Erik Gustafsson has made several recordings for Ondine, claiming international critical acclaim and praise for his interpretations. His disc featuring cello sonatas by Szymanowski, Kodály and Schnittke (ODE 827-2) was nominated Record of the Year in 1994 and his Englund Cello Concerto disc (ODE 951-2) was nominated Record of the Year 2000, both by the Finnish IFPI Jan-Erik Gustafsson has recorded the Prokofiev Sinfonia Concertante with the Finnish Radio Symphony Orchestra and Maestro Sakari Oramo, receiving outstanding praise and critique from all over the world. The Washington Post hailed his performance of the work with the National Symphony under the baton of Yan-Pascal Tortelier as "set ablaze with fury and grandeur.") Jan-Erik Gustafsson has given numerous masterclasses in Europe, USA and Asia, and currently teaches at the Sibelius Academy in Helsinki, Finland. He began his studies with Markku Luolajan-Mikkola at the West Helsinki Music Institute. He studied further with Mikhail Homitser and Frans Helmerson at the Edberg-Musikinstitut in Stockholm, completing his soloist diploma in 1992. He currently plays on a Stefano Scarampella from 1890. 帕瓦里·云帕伊宁，钢琴 芬兰钢琴家帕瓦里·云帕伊宁经由"青年音乐会演奏家"（YCA）推介，于2001年首次登台纽约，并从此开始全美巡演。他不仅在华盛顿的肯尼迪中心献艺，更是在波士顿的伊莎贝拉-斯图尔特-加德纳博物馆频频登台。在纽约地区，他曾在大都会博物馆、摩根图书馆以及卡内基的维尔演奏厅演出。2002年在林肯中心爱丽丝杜丽厅与杰拉德·施瓦茨指挥的纽约室内乐团合作，他首次在纽约奏响协奏曲。 近年来，云帕伊宁专致于维也纳古典时期音乐的探索，经常演奏贝多芬的钢琴奏鸣曲，并录制了全集，其中的第一部分将于2014年3月由唱片厂牌"奥丁"（Ondine）出版。 2011至2012学年，云帕伊宁驻哈佛大学音乐系，潜心研究18世纪维也纳音乐，实现了他研究音乐学和音乐理论的夙愿。2010至2011这个音乐季，云帕伊宁在波士顿的加德纳博物馆演出了莫扎特的全部钢琴奏鸣曲。2008年2月在戛纳国际唱片展中，云帕伊宁与小提琴家科里·塞若维塞科共同录制的贝多芬钢琴与小提琴奏鸣曲全集获得了年度最佳室内乐唱片奖。 在2013至2014这个演出季中，云帕伊宁与拉蒂交响乐团合作，演奏五首贝多芬钢琴协奏曲。此外，他将在芬兰与赫尔辛基爱乐乐团和图尔库爱乐乐团合作，然后重返回波士顿的加德纳博物馆，启动一个关于舒曼和施托克豪森音乐作品为期两年的项目。同时，他还将在德国、瑞士、法国和意大利等国举办独奏音乐会。此外，他将在本年度与澳大利亚室内乐团合作进行澳洲巡演，并将登台东京的"香奈儿-耐克萨斯"艺术节和法国的"梅西安"音乐节。 帕瓦里·云帕伊宁1974年出生于埃斯波，5岁开始在当地的音乐学院学习钢琴。1992年入位于赫尔辛基的西贝柳斯音乐学院，1997至2000年间入瑞士的巴塞尔音乐学院，师从克里斯蒂安·齐默尔曼。在巴尔塞期间，他还学习了管风琴、早期钢琴和击弦古钢琴。除了学院课程之外，他的导师--俄裔钢琴家康斯坦丁·博齐诺--也对他的学业和职业生涯产生了重要影响。 1994年云帕伊宁在赫尔辛基获得了"Maj Lind"音乐大赛一等奖，此后逐渐与芬兰各大交响乐团--如赫尔辛基爱乐乐团、芬兰广播交响乐团、拉赫蒂交响乐团等--展开合作，经常任钢琴独奏。此外，他还在欧洲、日本和澳大利亚与墨尔本交响乐团、奥斯陆爱乐乐团、斯图加特爱乐乐团和BBC广播交响乐团等乐团合作，并参加过很多音乐节演出，包括芬兰的库赫莫（Kuhmo）室内乐节和法国的昂泰弘（La Roque d'Anthéron）音乐节。2015年起，云帕伊宁将出任埃斯波钢琴节的艺术总监。这也是他的祖国芬兰在国际上最有分量的艺术节。 云帕伊宁还频繁演奏先锋音乐及当代音乐的经典曲目，并经常委约芬兰作曲家创作作品。他演奏录制了皮耶尔·布列兹全套的钢琴奏鸣曲（DGG 2005），并被伦敦《卫报》赞誉为"迄今为止布列兹钢琴作品的最佳唱片"。在与布列兹本人合作后，云帕伊宁也逐渐成为布列兹音乐出色的倡导者。他的经典曲目还包括梅西安为钢琴所作的鸿篇巨制《圣婴二十默想》。2010年他在波士顿加德纳博物馆演奏该作品，被《波士顿环球报》评为年度十佳音乐会，赞誉他将"理性的洞察、多彩的想象和精纯的技巧稀有地结合在一起。" PAAVALI JUMPPANEN，Piano Finnish pianist Paavali Jumppanen gave his New York debut in 2001 presented by Young Concert Artists, and has since toured extensively in the U.S., performing at the Kennedy Center in Washington, D.C. and at the Isabella Stewart Gardner Museum in Boston, where he has performed frequently. His New York appearances have included performances at the Metropolitan Museum, Morgan Library and at Carnegie's Weill Recital Hall. In 2002, he made his New York concerto debut with the New York Chamber Symphony conducted by Gerard Schwarz at Alice Tully Hall. In the recent years, Mr. Jumppanen has dedicated much of his time into exploring music of the Viennese Classical Period. He has often performed and recently recorded the complete Beethoven Piano Sonatas; the first part of this recording will be released in March 2014 on the Ondine label. Mr. Jumpppanen spent the 2011-12 season in residence at the Music Department of Harvard University where, in addition to deepening his understanding on Viennese 18th century music, he was able to realize his longtime aspiration to study musicology and music theory. During the 2010-11 season Mr. Jumppanen performed the complete Piano Sonatas by Mozart at the Isabella Stewart Gardner Museum in Boston. The recording of complete Sonatas for Piano & Violin by Beethoven (Claves) performed by Mr. Jumppanen and violinist Corey Cerovsek received the Midem Prize of Cannes in February 2008 for the best chamber music disc of the year. During the 2013-14 season Mr. Jumppanen appears with the Lahti Symphony Orchestra, performing the five Piano Concertos by Beethoven. In addition he will perform with the Helsinki and Turku Philharmonic orchestras in Finland, and return to the Isabella Stewart Gardner Museum in Boston to begin a two-year project focusing in works by Schumann and Stockhausen. He will also perform recitals in Germany, Switzerland, France, and Italy. Furthermore, the current season includes a tour of Australia with the Australian Chamber Orchestra as well as appearances at the Chanel Nexus festival in Tokyo and Messiaen festival in France. Paavali Jumppanen was born in 1974 in Espoo where at the age of five he began piano lessons at the Music Institute. In 1992 he entered the Sibelius Academy in Helsinki and from 1997 to 2000 studied with Krystian Zimerman at the Basel Music Academy in Switzerland. In Basel Mr. Jumppanen also studied the organ, fortepiano, and clavichord. In addition to his institutional studies, Russian born pianist Konstantin Bogino has been an important mentor for Mr. Jumppanen throughout his studies and career. After winning first prize at Helsinki's Maj Lind Competition in 1994, Mr. Jumppanen has become regular soloist of many of Finland's leading orchestras. He frequently appears with the Helsinki Philharmonic, Finnish Radio Symphony Orchestra, and Lahti Symphony Orchestra. He has also performed extensively in Europe, Japan, and Australia, appearing with the Melbourne Symphony, Oslo Philharmonic, Stuttgart Philharmonic and the BBC Symphony Orchestra as well as appearances at numerous festivals including the Kuhmo Chamber Music Festival in Finland and the La Roque d'Anthéron Festival in France. In 2015 Mr. Jumppanen will begin serving as the artistic director to PianoEspoo festival, the most prominent international piano festival in his native Finland. Mr. Jumppanen also frequently performs the classics of the avant-garde as well as contemporary works and regularly commissions works from Finnish composers. His recording of the complete Piano Sonatas by Pierre Boulez (DGG 2005) earned the praise of London's Guardian, calling it "the best recorded disc of Boulez's piano music so far." Having worked with Pierre Boulez himself, Jumppanen has become a celebrated advocate of Boulez's music. His repertoire also includes the large cycle for solo piano, Vingt Regards Sur l'Enfant Jėsus by Olivier Messiaen. His performance of the work at the Gardner Museum in Boston in 2010, subsequently selected as one of the top ten performances of the year by the Boston Globe, was reported by the Boston Globe to be "a rare wedding of intellectual penetration, coloristic imagination, and sheer virtuoso firepower."